The arts always stand in need of patronage. But who should those patrons be in a democratic culture? The wealthy, the corporations, the marketplace-or the government? David A. Smith's deft and penetrating study of the National Endowment for the Arts places the turbulent history of that agency in the larger context of precisely these fundamental questions. In the process, Smith helps us think more clearly about an even more fundamental and contested question: the place of art in modern American Life.
— Wilfred M. McClay, Sun Trust Chair of Excellence in Humanities, University of Tennessee at Chattanooga, and author of Figures in the Carpet
Named one of the
10 Best Non-Fiction Books of 2008
— St. Louis Post-Dispatch